—> listen on spotify here <---
—> listen on spotify here <---
itsabout a girl thatz in love wth a skeleton.
Cover art credit: Dmitriy Telishevski – check out his portfolio here.
Hi. Its Me. Puzzle Vortex. I just created a new drum n bass mix.
Please give it a listen.
Hi guyz. Its me. PuzzleVortex.
This week, i’ve been experimenting with some super-secret side-chaining tricks in Ableton Live 9.
Currently, I’m using my side-chaining techniques to create ‘inverse gating’ on my pads, ‘stutter effects’ on vocals, and to add ‘percussive filter effects’ to my basslines.
Below, I discuss the following topics:
‘Side-chaining’ is a technique where you use the envelope of a track to ‘trigger’ an effect, like compression, gating, or filtering on another track.
Side-Chaining can create effects like:
Side-chains are very simple to setup in Ableton Live 9 with their native plugins.
The native plugins which allow you to setup a side-chain input include: the compressor, gate, and filters.
How to set up a sidechain: First, open the side-chain menu, by clicking the ‘arrow’ button on the top left. Next, choose the ‘trigger track‘ from the drop-down menu.
Side-chain compression is an effect which is often used to create “pumping basslines” in electronic music.
Side-chain compression can also help to separate the kick and the bass, by removing some low-end frequencies in your mix.
This makes the kick more clear and audible.
Side-chaining can also be used to trigger filter sweeps in a rhythmic pattern.
It create an auto-wah effect which sounds good on pads, basslines, and percussion.
To add a sidechain: First, click the arrow in the top left. (see left image)
Next, choose a trigger track, from the drop-down menu.
Side-chains can be used to trigger all types of filters, including high, low, peak, and bandpass filters.
Inverse Side-Chain Gating can be used to open up a gate at the same time as a trigger track.
This is a great way to fatten a kick or drum sound.
It allows the pad to come through the gate at exactly at the same time as a drum sound, which gives it a full, rich, sound.
The vid below discusses side-chain gating:
A bassline sounds the best when it’s attack is the loudest, right when the kick hits.
Side-chain compression or gating can also be used to sculpt a bassline’s attack.
This be used to fix mistakes a bass player makes, by accentuating the attack directly on the beat.
Side-chaining can also create more experimental effects like: an 808 sub kick with gating, vocal stutter effects with gating, and rhythmic gating effects on pads.
You can use inverse side-chain gating, to add an 808 sub which is triggered along with a kick drum.
An 808 sub can be created by adding a gate to a sine wave patch, triggered by the kick drum.
Try changing the pitch of the sine wave, to create a ‘tuned 808 sub kick’.
2. Side Chain Gating to Create Vocal Stutter Effects
I’ve also been experimenting with ‘vocal stutter effects’ created by side-chain gating.
Vocal stutter effects can be done by creating a percussion track which triggers your gate. The vid below explains in more detail:
3. Use Beat Repeat to vary the rhythms of your Side-Chain Trigger Track
Try adding the beat repeat plugin to your trigger track. This can alter the rhythm of your ‘trigger input’ to create cool rhythmic gating, compression, or filter effects.
4. Separate the Bass and Kick With Side-Chain Compression
One way to help your kick cut through your mix, is to add some side-chain compression to your bassline.
Adding some volume reduction with side-chain compression will remove some of the low frequencies each time the kick hits.
This lets the kick be very audible in your mix.
You have any super-secret, side-chain tricks i should add? Tell me @puzzlevortex
Hi Guyz. Its me, again. Your friend, PuzzleVortex. (@puzzlevortex)
This week, i learned some extremely powerful ‘new midi tricks’ in Ableton Live 9.
I love working with midi, because it lets you create unlimited revisions of your notation, your effects processing, as well as parameters like pitch bend.
Ableton 9 even has a new feature that lets me record audio parts with my guitar, then turn them into a midi track. (its awesome.)
In this article, I’m going to explain how to:
1) and convert live audio (including a guitar signal) directly into midi notes
2) create melody variations, with Midi Effects
3) slice up loops, into individual parts, that you can control with midi
4) create melodies and loops more quickly in Ableton
Over the last few months, I’ve been experimenting with my production like a mad scientist.
I’ve been testing new gear (DDJ-SX2 DJ Controller), a new DAW (Ableton Standard), new VST synths (Serum and Cycle), new effects plugins (like StutterEdit), and new techniques. I want to improve my production in every respect.
I’ve also completely switched from writing in audio, to writing with midi. It is a superior way to work. (it seems kind of obvious now)
Ableton Live 9 allows you to transition from live audio to midi, with one simple click.
I’ve been using this feature to transform my guitar parts, into midi parts.
I think Ableton is a great writing tool, in addition to being a great DAW.
One simple midi trick in Ableton, is to use the doubletime, or halftime button to test variations of your melody.
Just click the +2, or :2 button, when you are working with a clip.
Your midi notes will become half speed, or double-time.
You can also invert the melody, or put it in reverse, with just one click.
This is great when you are create additional loops, to be arranged later in Arrangement View.
Here are some additional Midi Tricks:
1. Hold SHIFT with your UP/DOWN arrow keys (or trackpad) to Transpose by an octave instead of 1 semitone.
2. Midi notes can be quantized (placed directly on the beat) with the hotkey command-U.
A great feature of the Ableton DAW are its Midi Effects.
Midi effects allow you to change the speed, pitch, rhythm, scale, and more by dragging a midi effect into your track.
I love to try unusual scales with my midi parts, using MIDI Effects.
It’s very easy to drag a Harmonic minor, or Ukrainian Dorian scale onto your midi part, for example, with one click.
Other types of midi effects allow you to change the note length, velocity, add an arppegiator, even add glitches for effect.
The video below goes a little more in depth with Midi Effects:
I just learned that you can turn a live guitar signal into midi notes as a new feature in Ableton Live 9.
I’ve been playing guitar since i was 10.
Its been difficult to translate guitar performance into electronic music, because most controllers are keyboards.
But, in Ableton Live 9, all you have to do is ‘right click’ on your audio part, then click ‘convert melody to midi track’.
You can even convert chords into midi, by converting ‘Harmony to Midi’.
This ‘audio to midi’ feature works with any type of live audio, like strings, piano, etc. (But, i’m sure some stuff will convert better than others)
The video below explains it a little more in depth:
The Slice to Midi feature allows you to ‘cut up an audio file into slices’, which can then be controlled via midi notes.
This is especially cool for drum loops.
Its easy to slice up any drum loop into a brand new drum kit, which you can control via midi.
I did a quick test of the slice to midi feature with a Neil Degrass Tyson vocal clip.
It was really cool to control these sliced up vocal snippets, via midi and automation.
You can even alter the vocal parts with pitch bend, LFOs, and other types of midi controls.
Ableton lets you easily warp a sample to fit ANY tempo, by placing warp markers at key points on your sample.
I haven’t really gone too in depth with sample warping in my music, but I can see myself using it with vocal samplea.
It allows you to stretch or compress a sample with ‘warp markers‘ which are easily adjustable, instead of stretching or compressing each part of the sample individually, like i would do in Pro Tools.
Here’s a vid that better explains how to warp your samples to fit any tempo:
There are MANY new features that i am testing in Ableton. But i’m still learning, so if you have any midi tricks that you think i should include, let me know @puzzlevortex